The Waiting Room
An expanded cinema and immersive theatre experience about what it means to wait.
Presented as the 2024 Capitol 100 Commission. Written and directed by Martine Corompt and Camilla Hannan
Find out more about the Waiting Room here
Contagion
4.1 surround sound installation commissioned for Translating Ambiance at Yarra Sculpture Gallery, Melbourne.
This work is a reflection on Australian cultural identity and the difficult reckoning we continue to struggle with in this country.
MESS Sonorous VI
An 8 channel spatialised composition commissioned by the Melbourne Electronic Sound Studio (MESS) performed at the Newport Substation In October 2022. Utilising field recordings and created material from MESS’s extensive synthesiser collection.
Documentation here
Melt
When a space becomes disused and left to itself, what happens? Does it sit patiently inert, or does it let itself slowly decompress, releasing built up emissions of past daily processes continuing unabated and unmonitored – except by you.
Immersive animation and sound by Camilla Hannan and Martine Corompt. Commissioned as part of MoreArt 2015
Documentation here
The Well
An adaptation of Elizabeth Jolley’s award-winning Australian classic for The Melbourne Theatre Company. A taut work of gnawing suspense as two women navigate the emotional and psychological terrains of desire, memory and social isolation.
A 16 channel immersive sound design and series of performances at the Southbank Theatre
Trainspotters Inc
10 artists create site specific performance works along the Upfield Bike Path as part of More ART 2014. Curated by Camilla Hannan
Artists include: Nigel Brown, Catherine Clover, Martine Corompt, Camilla Hannan, Elliot Howard, Alice Hui-Sheng Chang, Isobel Knowles, John Jacobs, Bruce Mowson, Zoe Scoglio and Van Sowerwine.
Listen to the radiophonic work created as part of this project
A mile in my shoes
Take a walk in someone else's shoes and experience their story first hand.
Working with The Empathy Museum and Arts Centre Melbourne to commission and produce a series of 23 first person audio narratives for a unique public art installation experience.
You can find out more and listen to the audio stories here
Particle/Wave
An immersive multimedia experience in the planetarium dome commsioned as part of the 2018 Melbourne Festival.
Produced by Alicia Sometimes and Andrew Watson. With 8 channel sound design by Camilla Hannan
Read Alison Croggan’s review here